Showing posts with label History. Show all posts
Showing posts with label History. Show all posts

Monday, April 1, 2024

Good News For NYC’s WBAI 99.5 fm? Possible Financial Rescue As Pacifica Foundation, Which Runs Parent Pacifica Network, Will Get Infusion of Cash By Corporately Monetizing Historic Archives

Malcolm is super, Mr. Dylan is super, and we've always known that radio is super, and that's not just a fantasy!

Great news coming up in a minute. .  Stay “tuned” as they say in radio!

WBAI Radio, 99.5 fm is New York City’s only truly listener supported radio station.  (WNYC when its financial statements were last checked is 70% corporate capture.)

WBAI and the entire Pacifica network, of which it is a part, have been on the financial ropes for a while now.  That is partly due to an overall decline in radio listening.  Not surprisingly, that flows partly out of the “creative destruction” of the internet; the internet, which is seemingly free to its users, as it data-scrapes everyone and steers you with algorithms is insanely easy to access.  In many ways it is much easier to access now than terrestrial radio.  Of course, here at Noticing New York and National Notice, we’ve admonished that “The internet giveth and that the internet taketh away.”  Things on the internet can change in an instant and anything there can be snuffed out in an instant, as easily as blowing out a candle.

So the internet may draw you in, but then leave you high and dry.  For instance, the new TikTok legislation isn’t what many people think.  Many people think it’s about one more Big Tech company data scraping, but this time objectionable because of having ties with China.  And that’s why the legislation is rearing its head?  Some say!  Or is it because “Free Palestine” is one of the highest trends on TikTok and the head of the Anti-Defamation League (in a leaked audio) is saying that they have a “TikTok problem” with Gen Z?  Actually, let’s just get real, it’s probably the bigger picture long range plan . . . . the so-called (misnamed) “TikTok bill” allows the government, the executive branch to exercise its `discretion’ to eliminate any website or even internet hosting service.

WE REPEAT: “The internet taketh away”!

That’s why terrestrial radio stations like WBAI and the other four stations with terrestrial signals that the Pacifica network owns are an important back stop or insurance policy against greater internet censorship and manipulation.  Terrestrial radio cannot be shut down and censored in the same way as the internet or as easily.  

That’s why there is great news about how WBAI and Pacifica will likely now be saved by an infusion of cash by monetizing the Pacifica historic archives.  It will give WBAI and Pacifica another go at being the happening place for important alternative narratives.  Legacy media, the corporate, commercial media is hemorrhaging audience, driving away especially the younger audiences as they earn everyone’s distrust and as they bore everyone with establishment narratives that seem increasingly far fetched and removed from reality.

Unfortunately, Pacifica and its stations haven’t been the obvious beneficiaries of the audience shift to alternative media sources (found taking place almost exclusively on the internet).  One reason may be that Pacifica has been too stuck in the past, too tied to its heritages; it hasn’t moved fast enough to keep pace with and help make sense of the rapidly changing world.  

But now that PAST with all its troublesome ties may be what saves Pacifica.  And the answer seems to come from untying those ties. . .

Pacifica’s past and with it, WBAI’s past going back to 1960 when the station became a part of the Pacifica Network and even years back in the 50's before activist philanthropist Louis Schweitzer entrusted the station to the Pacifica network, involves a huge amount of significant activist, political, alternative media narrative, and antiwar history.  It incorporates and has embedded in it the icons of the movements that, over those years, challenged the establishment and ripped away at the propaganda that was being used to perpetrate wars and perpetuate the military establishment and the control of this country by elites dedicated to class division.

And this rich history is preserved to be delved into in the Pacifica Archives, essentially the library of the network’s preserved history, replete with performances and recorded events that can be revisited, as if by time travel.

Since New York City, WBAI’s home, was so central to the nation as a cultural, news, financial, and political capital and hub, much of the most important material in the Pacifica archive, perhaps the greatest preponderance, things like visits by Bob Dylan or coverage of Malcolm X, come from and are WBAI’s history.      

The informative history in the archives is valuable in so many ways.  It can also be monetized to infuse Pacifica with needed cash, and that is the plan.

That is the plan.

Disney has put what is understood to be a very significant sum on the table to acquire from Pacifica the rights to be able to add that history and those events so as to have them join in the collection family of Disney franchises and properties.

Pacifica has been exploring ways to infuse much needed cash.  That has involved considerations of how to capitalize on its assets in various ways.  Nevertheless, insiders familiar with the talks that brought the deal about said that it was actually Disney corporation executives who first conceptualized what was possible.  Reportedly, it came after Disney’s terrific success with the first “Black Panther” 2018 film coming of Disney’s ownership of the Marvel comic book franchise.

When the film succeeded beyond expectations, Disney execs had apparently already been grappling with the question of how to recognize, incorporate and monetize identity politics in the Disney universe, which may have been part of what put them on the path to thinking about Pacifica and its archives, as that kind of politics is something that has come up as affecting Pacifica, a concern dealt within its environment.  But the clincher was that it’s hard to think about a “Black Panther” without thinking of the Black Panther Party, coverage of which definitely has been a part of the Pacifica history.        

The archives will be added the long list of what Disney owns and controls, giving it enormous cultural reach: The original well-known Disney characters and resorts by reason of which its often referred to as the “house of mouse,” Marvel Entertainment and all its characters, Lucasfilm which is the Star Wars and Indiana Jones franchises, The Muppets, Pixar, which is the Toy Story franchise and more, the Winnie the Pooh Franchise, the Chronicles of Narnia Franchise, National Geographic and its history, ABC Entertainment (include news), ESPN, 21st Century Fox, and more recently the rights to Lin-Manuel Miranda’s “Hamilton.”
                                    
That’s only a partial list.  Unfortunately, providing an exhaustive list would be exhausting and hardly possible.

Disney has indicated it wants to get more involved in presenting more historical, less fantastical stories.  Disney has always presented a vision of America’s past, say with its theme park’s “Main Street America,” or “Tom Sawyer’s Island,” but the idea is to be more involved in the actual tales that are to be told about America or the world, something it did with its 1995 Pocahontas film.  “The Hunchback of Notre Dame,” (1996) presented a version of France’s past and politics, but was much too complicated to tell a good historical tale. Lin-Manuel Miranda’s ethically appealing “Hamilton” (on Disney 2020) is a better example of where the company wants to head.

Lin-Manuel Miranda’s “Hamilton” affords the possibility of an expanded franchise, since the United States has many founding fathers or seminal icons of equal stature, “George Washington,” “Benjamin Franklin,” “Teddy Roosevelt,” etc.  Lin-Manuel Miranda who comes from a politically involved, local newspaper owning family in NYC’s Washington Heights is likely melodically on board for future installments.

Lin-Manuel Miranda provided the songs that musicalized Disney’s animated “Moana” film
(2016- more in the franchise coming, both animated and a conversion to live action) structured around Polynesian-styled characters involved in a Disney version of Polynesian history.

Disney executives have let it be known that owning Pacifica’s archives will help it contextualize histories more easily, for instance, about certain founding fathers where there have been past Pacifica programs about native first American history critical of such figures as George Washington and Abraham Lincoln.

Disney says it knows where to go to partner for strengthened narratives about the United States when it works on productions that it hopes will be the fruit of the Pacifica archive.  One example is where the Pentagon helped with myriad script revisions of the 2008 Iron Man film (part of the Marvel franchise) to make it friendly to, and United Stated military supporting, rather than critical of the war industrial complex as was the basis of the original script.

The Mattel toy company is waiting to fashion its Barbie bodies into whomever will be the next Disney princesses. Maybe a young Mrs. Malcolm X?

The archive acquisition is being announced as taking effect, lock stock and barrel, today, April 1st.

Friday, April 1, 2022

New Demonstration Program Now Approved By NYC Landmarks Commission: Related Companies and Vornado Will Use Public’s Love of Historic Districts To Spur Development Working With Disney

 

It’s history in the making!  Not since New York City’s Landmarks laws and programs and Landmarks Commission were ushered in back in the early 1960s has anything new and exciting been done in this area.  Looking back, it’s always be more of the same old, same old, or, put another way, more of the same old, save old.


But that is not to say that the public doesn’t love its landmarks and historic districts; it absolutely does!  And that love of the quaint, the old and the curious that acquaints us with our past and where we came from is about to be harnessed by two giant developers of real estate, Related and Vornado, who have gotten the go ahead from the city’s Landmarks Commission (LPC- Landmarks Preservation Commission) to show what they can do working with another company that is expert about what the public loves and should love about its history and its past.  That company they will be working with is Disney.

The intention of the new demonstration program will be more and better development in the city while the public will, at the same time, be more deeply, efficiently and broadly connected with its sense of history and with the continuity that informs our city populace of where it came from as reflected by the ever evolving range of architecture that has resplendently bedecked NYC over past decades and centuries.

The public loves its landmarks and its historic districts; it’s one of the city’s most terrifically popular programs.  And the way that New York is imbued with a rich history that can still be observed and absorbed by viewing many parts of the city is one thing that attracts tourists. The attraction of tourists drives an important city industry.  However, the real estate professionals appointed by the mayor who serve on New York City’s Landmarks Commission have noted that landmarks and historic districts pose problems for the public.  They, therefore, invited some of New York’s premiere developers to consult and see what could be suggested using some of the industry’s infamously creative cleverness.

One problem with historic districts is who gets to enjoy them. Partly because they are so desired and sought after as places to live, they have a notorious proclivity to become enclaves for the wealthy.  Because they freeze and preclude further development and density, they also preclude expansions to invite additional populations in to enjoy residing there.  Another problem the professionals on the Landmarks Commission were eager to solve is that this locked-in low density is often, due to history, in central areas of the city from out of which other areas of the city grew.  Those central areas are often, in the professionals opinions, exactly the wrong areas to have low density.  Moreover, historic districts such as Brooklyn Heights and Greenwich Village often sit atop transportation hubs and the confluence of subway and bus lines around which it is important to gather greater density and development.

The Related Companies/Vornado demonstration program will address these issues by working with Disney plus, introduce into historic districts and landmarks benefits not possible when creaky old structures cannot be retrofitted with new technology.  The program will involve relocating a number of landmarks and historic districts to more optimal areas.  Actually, a better word for what these relocations will involve is `re-creations’ of what gets moved to new areas.  The programmatic term that Vornado and Related have decided to use to describe the transfers to new locations is “reestablishments.”  The reestablishments will allow leeway for there to be significant improvements integrated into them at the new locations.

“None of what we are talking about is without precedent,” said Landmarks Commission Chair Sarah Carroll, “for instance, in Staten Island, we have the Historic Richmond tourist and visitors museum site.  This involves historic structures brought to that location from all over the island to form the full collection of its 40 structures.”  And she noted that, in practice, with the passage of time, most buildings in historic districts transition from being what was once actually at a site to being de facto recreations of what was previously there: Facades have to be redone (brownstone, while soft and easy to quarry and carve, is an exceptionally short-lived material that is never actually replaced with the same dark sedimentary, often riverbed, sandstone), cornices need to be replaced and such ornamental replacements are most typically done more safely with fiberglass design duplications.  In Brooklyn Heights, 123 Joralemon Street, one of the historic district’s most conspicuous historic buildings, a carriage house, is not historic at all; looking circa 1880, it’s a 1993 replacement (designed as if servicing an adjacent mansion) for a 1952 ranch house that looked like it belonged in Queens.  So, in this case, what’s really historic?  

123 Joralemon Street- The historic 1952 house is on the left

 123 Joralemon is an example and lesson in how tastes change and how the flexibility of new construction can accommodate this.  The exterior of the building fits in exactly the way people currently think it should to comport nicely with the rest of the historic district.  When built it was built in 1993, the interior of the structure felt like it fit in with the district that way too, but since then the entire interior has been extensively renovated by a new owner to be the most modern thing imaginable, lots of glitz and glass that’s straight out of the Jetsons. . . But stick a gaslight outside and who would suspect!

Side by side- Will the real Joralemon Street imposter please stand up?

The demonstration program may start small while thinking big, hoping to get its legs under it and to give the developers a chance to prove to the real estate professionals at Landmarks that they are entertaining the right notions in green lighting this program: The candidate historic real estate location that is up for selection for the first relocation is just one single block length’s worth of buildings, 19th Street’s “Block Beautiful” in the Gramercy Park neighborhood, between Third Avenue and Irving Place.  Where will it be moved to?– That’s where they are thinking big!: Sunnyside Yards in Queens.  In Sunnyside Yards there will be room for many future additional relocations.

The "Block  Beautiful"

The “Block Beautiful” relocation gives Disney the opportunity to show off a transformational talent for which it thinks it is especially suited in a way that will superbly advantage the new program.  The “Block Beautiful” is cited as one particular example of changing fashions: “destoopification.”    No, that is not a typo for “de-stupefaction,” that is, instead, a name for a phenomena where buildings in New York City with the traditional style of front building stoop, inherited from the old Dutch designs, became déclassé and townhouse owners all over the city modernized by removing the stoops and creating new entrances on the lowest floor.  That also allowed extra flexibility creating more rooms if separate apartments were created in the building.  But with stunning architectural whiplash, things have changed again in areas like Brooklyn Heights were once-removed stoops are being put back again as hedge-funders gussy up purchased buildings that are again owned and occupied by one wealthy family.

In the dusk of architectural history, stoops can sometime be a `sometimes you see it, sometimes you don't' proposition.

What Disney with its technology will be able to do is teach the history of architectural fashion change by having the same established historic section display different era facades on different days of the week. To an extent this can be accomplished by projections overlaying different lighting changes, but it will also require storing things like stoops that will have to be rolled out and locked into place certain days.  In this regard the reestablished areas will have the advantage of large areas that will be in taller back structures that, with clever design, will not be readily observable.  Says Ms. Ona Lott, a Disney executive and representative about its design capabilities, “at our Florida Epcot center, the new modern, futuristic and big, may be cheek by jowl with our ancient Moroccan Casbah, but you don’t notice the former when you are enveloped in and looking at the latter.”

Putting stoops back in place when they are no longer grandfathered normally can raise all sorts of property line issues, but this won’t be an issue in the reestablished areas as the Vornado, Related, Disney joint venture will privately own the entirety of all the land, including all streets, sidewalks, park and green areas.

Another advantage the reestablished areas will have is there will be well thought out technology using the same sort of tunnels and unnoticed passageways that Disney uses at its theme parks for its Disney characters to appear where and only where they are supposed to.  This will make sanitation and garbage removal a far more aesthetic proposition.  Think of the way things are now says Ms. Lott, the Disney exec: “You have a row of buildings all from the 1800s and outside people are throwing away their 50' flat screen TVs as they graduate to bigger 4K, 8K (or soon 16K) models.  That plus a tangle of discarded routers and USB wires and flavored vodka seltzers is just not very historic.”  Now, in reestablished areas, such trash will head out to the landfills via hidden tunnels that nobody thinks about.  In place of the missing trash, Disney will periodically manifest historically appropriate trash depicted on its own ultra-realistic large flat screens.  And there will be no garbage smell to go with it unless you press the accompanying scent button.

Back at 19th Street, between Third and Irving, it will now be possible to put up a series of new towers like those that have been going up on Third Avenue for some time now.  Proving that a good job can be done reestablishing the “Block Beautiful” at its new Sunnyside Yards location will make it possible to move on to the next goal of reestablishing Gramercy Park at Sunnyside.  “The reestablished Gramercy Park will be quite an attraction, so much so that we are thinking we might actually make it just a fraction larger,” say Ms. Lott, “We will surround it, as before, with a hotel and most certainly the Players Club and the National Arts Club (formerly the mansion with enormous library of Samuel Tilden).” Meanwhile, Vornado and Related will have a whole city block to build on where Gramercy Park formerly stood.


Gramercy Park as seen from above at its current location- one whole city block!

Things will lead one to another.  A reverter clause affecting Gramercy Park’s chain of title and deed means that when that park property is built on, Union Square will again be privately owned. “It’s complicated real estate stuff,” Related VP David Chablis explained.  So Union Square will also be reestablished as one of the linked greenways of the Sunnyside Yards history learning center.  Visitors to the reestablished Union Square will again get to visit the old S. Klein’s department store on its border, because, with the restablishments, it will be possible to rewind the historical clock to any time that’s desired. . .

. . .  But, wait, Union Square, wedged between the Greenwich Village and Gramercy Park historic districts is not a historic district, right?  That’s another advantage to the program; how with more flexible modification, historic destructs can be more easily created and expanded, even retroactively.

Nobody living in what are currently historic districts will be required to sell what they now own, but they will be entitled to first dibs discount acquisitions on properties in the reestablishments.  If they do sell, they may make hefty profits.  Moreover, if they exercise their first dibs options, they and the heirs taking reestablishments property from them will all have continual access to the reestablishment areas without ever having to pay a perimeter fee.  For its maintenance and upkeep and the teaching and education that will be provided in the reestablishments Disney will be paid a fee financed with perimeter fees paid using people’s phones much the way that new York metropolitan area drivers have been using E-ZPass® to pay for bridge and highway tolls.  The areas will be designated with barely noticeable circumference wires rather like certain Jewish neighborhoods have set out the eruv perimeters for Jews observant of the Sabbath in this way.

Vornado, Related and Disney will be working with New York’s three public library systems to research historical accuracy.  This can be useful, because, in Brooklyn, for instance, the Brooklyn Library has taken over the Brooklyn Historical Society, and, now having subsumed it, has renamed it the Center for Brooklyn History* (there is thought of adjusting the name further to “The Center of Brooklyn History”).  Vornado and Related said the fact that the boards of the city’s library systems have been filled with people from the real estate industry and people who work for content control companies like Disney will help ensure the needed corporation in adhering to the desired historical narratives to be communicated.

(* The Center for Brooklyn History is currently closed, physically closed, to the public, but is providing virtual access to some history, plus is providing a “grab-and-go” history supply service in its lobby.)

Mixed in with the reestablishments of New York’s well known historic districts, the Disney company will be integrating duplicates of some of its Disney theme park history re-creations like its Disney Main Street (some building may be done by Alexandria, Virginia and Potomac, Maryland Builder/Developer EAY).  The city is expected to benefit terrifically in that the new historical areas that can be visited and the much more efficient way that they can be taken in are expected to be a huge draw from tourists in the future.

Work by Alexandria, Virginia and Potomac, Maryland Builder/Developer EAY
 

Because the reestablishment areas will be evolved with the special Disney touch, thinking and creativity, the areas can be copyrighted.  Said Dr. Kols, Disney’s Director of Historical Affairs, “The old adage that `history is written by the winners’ has the corollary that `those who get to write our history, get to own it, . . ahem, . .  copyright it.’”  “Of course, any such copyright ownership is subject to ‘fair use’ commentary” said Dr. Kols. . . , “as determined by the courts reading our lawyers’ briefs.”

Mayor Eric Adams is exceptionally happy with the proposed demonstration program.  In fact, without Adams the program would not be happening. The program’s legalities would be exceptionally tricky, even likely tripping up on various Constitutional prohibition entanglements, except for the New York State provisions (Executive Law Chapter 18, Article 2-B) that allow Adams, as mayor, to suspend laws and do what he wants pursuant to his declaration of the Covid emergency.  Adams says that if the New York City Public Advocate wants to use his standing to challenge any of his actions, the Advocate will have the opportunity to do so with the statute of limitation for a mandamus challenge commencing with the actions that Adams is taking as of this April 1st.

Wednesday, April 1, 2020

Brooklyn Public Library President Linda Johnson, Now Poised To Additionally Become Head of Brooklyn Historical Society, Says “Following The Money [The Othmer Funds] Convinced Us History Is Too Precious To Be In The Hands Of Those Not Writing It.”

Brooklyn Public Library President Linda Johnson is poised to take on new responsibilities holding her position as BPL head.  It will occur with a merger that will make the Brooklyn Historical Society in Brooklyn Heights a junior subcomponent of the Brooklyn Public Library, which will now assume the role of the “parent institute” of the Historical Society.  This combination was announced by the BPL’s press release, February 27, 2020.

As the plans are solidifying, Ms. Johnson sat down in an interview to describe how the merger plan had come about, and why these plans will be good the BPL’s overall plans and partnership expansions and why it will be good for the history that people will remember.  “Our eye first landed on the Brooklyn Historical Society as an institution that we should attend more to when we were making plans for the consolidating shrinkage plans involving the shrink-and-sink sale of the Brooklyn Heights Library across the street and a few yards down” said Ms. Johnson.  The Brooklyn Heights Library was being replaced by a luxury tower as a result of the real estate deal that Ms. Johnson steered through the BPL.  It was once Brooklyn’s second biggest library, the Business, Career and Education Library and a federal depository library to boot.

Ms. Johnson said that when the BPL was selling that library it needed a small temporary library to replace it for a time until a planned reduced size library could be built under the luxury tower that was planned.  “We considered putting the small temporary library in the Brooklyn Historical Society,” said Ms. Johnson, “we actually talked to them about that.”  Johnson pointed out that the Brooklyn Historical Society is a library itself, which she said might have allowed them to argue the temporary arrangement involved a bigger aggregate book count.  Johnson pointed out that consolidating shrinkages like what the BPL was doing with the real estate deal sale of the Brooklyn Heights library, with its theoretically sending books and functions to the Grand Army Plaza BPL library, didn’t have to involve just an institutional consolidation of BPL or NYC libraries, like with the New York Public Library’s proposed Central Library Plan.

“These consolidating shrinkages can also be inter-institutional,” said Ms. Johnson.  “That’s what we would have had if we had used Brooklyn Historical Society space for the interim library, and it is the kind of thing we are doing where we are moving the Brower Park Library into the Prospect Heights Children’s Museum to reduce the museum’s previously expanded space,” said Ms. Johnson.

Ms. Johnson, smiled, very pleased with herself, as she then got to the subject of the Othmer money, funds left to Brooklyn institutions by a quiet unassuming Brooklyn couple nobody knew had become superwealthy after they invested with their friend Warren Buffett.  Said Ms. Johnson:
We were talking to the Historical Society about these possibilities back when we were making plans in 2013.  Given the timing, we were almost forced to notice then, due to certain commonalities, something else we needed to think about.  The Historical Society was one of the institutions that was among those Brooklyn institutions famously benefitting, receiving millions of dollars, from the surprise bequests of Donald and Mildred Othmer.  2013 was also the mayoral election year when another such institution benefitting from such Othmer bequests was being shutdown: Long Island College Hospital.  With gifts during their lives and then thereafter from the wills of the two Othmers, Long Island Collage Hospital received a phenomenal endowment from the Othmers, more than $135 million.

It would have been impossible to reach that money and make better use of it- so the hospital could be turned into real estate transactions- were it not for that fact that Long Island College Hospital was convinced to merge with a series of other health institutions, first with Continuum Health Partners and then with SUNY Downstate Medical Center.  It involved intricate dealings, but this allowed the endowment funds to be posted as security, something the New York State Attorney General’s office was convinced to pre-approve, (as if they didn’t see what was coming), and
Voilà . . .   
“Real estate deals and no money sitting around going to waste in troublesome ways that might pull towards different priorities!” emphasized David Woloch a Brooklyn Public Library executive vice president and spokesperson who had joined Ms. Johnson to help her with her interview.  “Activists were actually helping to make sure that we didn’t let the connection go unnoticed,” said Mr. Woloch, “because the activists were pointing out the similarity of how libraries and hospitals were both public assets similarly up for sale.”

Ms. Johnson said that money that came into various Brooklyn institutions from the Othmers pre-9/11, in the later 1990s was almost totally unforeseen.  “It came out of nowhere,” said Ms. Johnson, “it was something of a `money bomb.’”   “And when a bomb hits your house throwing things into disarray,” said Ms. Johnson, “you want to do some cleaning up and vacuuming.”  The good thing though said Ms. Johnson is that, while the money came in unexpectedly, it has been a useful tool, a tracer, to spotlight institutions that might need “independence adjustments.”  “That’s certainly true with Historical Society,” which deals with “history,” which is “precious.”
    
Johnson mentioned that when David C. Chang, Polytechnic's president, learned that his engineering school was going to receive more than $175 million- nearly $200 million- from the Othmers he said: “We start from being one of the have-nots and go to being one of the very well-endowed schools.”  The blare of that unusual Brooklyn brightness has since been somewhat adjusted via Polytechnic's subsequent merger celebrated in 2014 with Manhattan-based NYU.

Ms. Johnson also described how things were faring at Brooklyn Botanic Garden, another institution given money from the $750 million estate of a Brooklyn Heights Othmer couple.  And she explained that people should watch for new connections between the BPL and the garden.

Ms. Johnson that, despite the infusion of the Othmer funds, the Botanic Garden’s basic trajectory, including shorter hours, higher user fees and its increasingly privatized closures for fashionable weddings (the BPL also advertises its spaces for fashionable weddings).  She noted that the Botantic Garden had been able to sell off its science research building that was on its outside perimeter.  At the same time, Ms. Johnson said that it is important that the Botantic Garden board has behaved in an amendable and basically welcoming way to the towers and proposed development that, with zoning change reversal, will be set up along its borders blocking sunlight.

Ms. Johnson noted that the BPL will be implementing a plan that gets “gets Oohs and Ahs” connecting the BPL’s Grand Army Plaza central library to the shadier and more pleasant Botantic Garden space.  The GAP library “will connect with Mount Prospect Park to create a Central Brooklyn green campus that includes the library, park and Botanical Gardens.”  Mount Prospect Park is a public park (with the second highest promontory in Brooklyn) which sits between the library and the Brooklyn Botanic Garden.  BPL's plan involves altering space within the library “dramatically opening up the exterior of the library” to facilitate a new restaurant space within the library building that would unfold to include outdoor café space in the park. 

“All in all,” said Ms. Johnson, “I think the infusions of the Othmer money to the institutions in Brooklyn have met the kind of response they deserve.”  Ms. Johnson acknowledged that not absolutely everyone agreed.  It’s known that Dr. Donald Othmer himself drafted much of the meticulous detail for the bequests in his own will and that of his wife Mildred’s.  Warren Buffett, the friend who handled their investments and made them wealthy told the Wall Street Journal, speaking about what happened with the depletion of the Othmers’ Long Island College Hospital endowment, that if the Othmer’s were alive, “I would think...they would feel betrayed.”
                               
Johnson doesn’t see it that way:
We have something called the cy-près doctrine.  It’s a legal concept.  The concept basically recognizes how inappropriate, essentially impossible it is for dead people to rule from the grave.  The dead don’t know what is going to be what after they die.  Lots of things are going to be unexpected and unforeseen.  The cy-près doctrine dictates that instead of doing what dead people wanted, you should do what you know dead people would have wanted if they had known better.  For instance, do you think the library systems could ever be doing everything they are doing in terms of turning libraries into real estate deals, providing a venue for society weddings, exiling books, and cutting back to much shorter hours, if they had to do exactly what dead people who made the donations to set up the libraries wanted?
Johnson said this was an especially important concept when it came to how precious the possession of history is.  History, she maintains, is too far too precious not to be kept in the hands of those who are supposed to write it.  Ms. Johnson said that was why it was so important for the BPL and the Historical Society to combine into a single unit for historical record custody.  “The history of the last several decades is one that I am proud to be a part of,” said Ms. Johnson, “The overarching truth to that history is that it has been a history of the victories of privatization– I’ll remind you that it’s axiomatic that history is supposed to be written by the winners.”  Ms. Johnson said that as Churchill knew history is to be written by those that command the reins of power.  As Churchill is famously quoted: “History will be kind to me, for I intend to write it.”

Ms. Johnson said that it was relatively easy for the board of the BPL and the board of the Historical Society to reach agreement about the merger.  “We’re mostly all the same kind of people,” said Ms. Johnson, maybe there is one person on the BHS board who cares about the previous old fusty ideas that people used to promote about what history is, but basically, Ms. Johnson said the BHS board, like the BPL board, is a complement of the kind of people who know what needs to be written and preserved in terms of history: corporate lawyers (good at things like white collar defense for those charged with accounting fraud), mega-bankers and some real estate people.  “Nevertheless,” said Ms. Johnson, “we can improve through the merger and have better control; our BPL board composition is more refined and fine-tuned in terms of what it needs to be in ensuring everything reflects the private partnership goals and this to be respected.”

Ms. Johnson offered an example of what it means to be keeping things on track or not in terms of history that needs to be written.  Recently, Brooklyn For Peace donated its archives to the Historical Society,  over 25 linear feet of organizational records, event ephemera and recordings, and subject files dating back to 1983.  “This is the kind of history people want to write?” scoffed Johnson, “Brooklyn For Peace has been around since 1983/1984— If history is supposed to be written by winners, how does that work?  We have more wars now than ever.  These people are real losers!  These space usurping records are prime candidates for culling.”
 
Similarly in the vein of what makes good historical fodder Ms. Johnson spoke of killing two Othmer birds with one stone: the BHS might also remove records that showed that there were once plans that the 500 beds of LICH were to have been used as a designated isolation hospital in the event of a pandemic.
   
Ms. Johnson said she could anticipate acquisition of the Historical Society would be a boon for all sorts of goals important to her.  She said the beautiful landmark building the BHS was in would be another great place for wedding and society events without her people eager to mingle at such events needing to Uber any further than Brooklyn Heights.  People would not have to go to Grand Army Plaza.  She noted that the New Times had already let the news out that the plan would start “with the eternal New York City preoccupation” of managing all the real estate dollars that could be involved.  Ms. Johnson noted how, in connection with the revealed merger, the BPL has pronounced itself to be “on a space grab,” but that the BPL had not yet decided to characterize this as actual space growth or part of its demonstration of its flexibility exercises allowing it to jettison space.  Mr. Woloch opined that the BPL could always go back and forth on these characterizations; that there was no need lock itself in respecting these things.  He noted that the BHS space might, for certain purposes and at certain times, be nominally cited as an ancillary part of the library space to be tucked nearby David Kramer’s luxury build replacing the Business, Career and Education library.

As Brownstoner notes, important to the “timeline for the merger,” will be necessary that the BPL and BHS are currently having discussions “with the City of New York regarding funding necessary for combining the institutions.”  This is obviously important with respect to Othmer endowment funds has BHS converts into joining the city’s family of libraries and its tradition of creatively underfunding them.

Ms. Johnson said that there would be no “sweeping changes,” respecting the BHS mission, but that she was particularly eager to take on and engage in a “rebranding” for the BHS with a new “less  fusty-sounding” name to proclaim the BPL’s ambition for everyone to understand that the institution would be democratically opened up.  “It used to be even more fusty-sounding,” said Ms. Johnson, “The Long Island Historical Society.” Ms. Johnson said, “when we took the Business and Career Library out of Brooklyn’s downtown, we updated the name; we now call it a `center,’ the `Business Career Center’; we dropped the fusty-sounding `L-word.”  Johnson said “center” sounded modern and distinguished it from the “Commons,” the “Leon Levy Information Commons” that it is above and from which it will be otherwise indistinguishable.

Johnson said the “rebranding” should also make use of some more of the naming rights that the private partnership building the BPL has been engaged with allows, like the BPL’s partnering with the Nets and the Barclays Center celebrated at its last gala in May 2019 where the Nets and Barclay’s center were honored.  “If we put the name `Barclays’ on the landmark Brooklyn Heights building that rules out calling it another ‘center’; you can’t have two ‘Barclays Centers,’ in Brooklyn” said Johnson, “but we might call it something like the ‘Barclays Historical Information Outlet,’ then it would be distinguished and not fusty-sounding at all.”

Ms. Johnson said that she wanted to point out the overall pattern of convergences that she said the merger of the BHS into the BPL was just a one incidental part of: Libraries are also being subjected to consolidating shrinkages while the library is also essentially merging with private sector interests though its private-public partnerships.  She described the converging as going in the direction of a “supremacy singularity.”  Ms. Johnson proudly pointed out to how this convergence even extended to her own personal life and how she was now living in her own personal partnership with Forest City Ratner’s Bruce Ratner, a personal partnership that paralleled the BPL Barclays/Nets partnership.

Ms. Johnson opined that Bruce Ratner was a great man who had contributed mightily to the history of Brooklyn.  She said that people had actually called the struggle that Bruce Ratner’s won to bring Atlantic Yards and the Barclays Center to Brooklyn the second “Battle For Brooklyn.”  Ms. Johnson said there was too much Brooklyn history that the Brooklyn Historical Society had not covered adequately.  She said that this would start to be remedied in a year’s time when the merged BHS would mount a major exhibition of the writings that Churchill created about what a great man he was.  “It is time that people realized Churchill’s intimate connections with Brooklyn,” said Ms. Johnson.  His mother, Jennie Jerome, was an American, a Brooklynite born in 1854 just blocks away from the landmark BHS building, 197 Amity Street, in 1854.  She said the exhibit would be in two parts, the second part drawing parallels between Churchill as a great wartime leader and Bruce Ratner fighting to bring the future to Brooklyn. 

Ms. Johnson said that the exhibit was slated to open in a year, on the first of April 2021, which was why it was being announced today, April 1st 2020.
PS: The shrunk-and-sunk library space that will be in the David Kramer’s luxury building at the sight of the former Business, Career and Education Library is next to and part of the same zoning lot, real estate development parcel as Forest City Ratner’s One Pierrepont Plaza. The underground BPL library parts can connect to the underground Ratner building parts.  The BHS has its own underground parts that are just a few feet away underground from the Ratner building.  The Ratner organization has been excellently adept at acquiring, through political machinations, private ownership of public streets adjacent to its properties.  The Ratner organization is now looking at doing that for the street between it and the BHS building.  If it succeeds (and it may join the buildings with an underground tunnel), it would put the air and development rights to the BHS building in play as part of the Ratner development and zoning parcel.

Tuesday, December 31, 2013

Gifts We Are NOT Getting- For New York City's Libraries

Tom Wolfe at the White House, from Wikipedia
It’s the holidays!  The gift-giving season!. .

. .  Let’s talk about some gifts that are not being given these days. . .  to New York City’s libraries.

Previously, Noticing New York has written about how it is a problem these days if you want to give to New York City libraries because what you give to libraries paid for with taxpayer and charitable contributions might well be wasted when libraries are sold.  Donations might even be used to sell, shrink and dismantle New York’s library system assets.  See: Wednesday, October 30, 2013, Conundrum For Those Wanting To Donate To Libraries: People Who Would Use Our Donations To Shrink and Sell Off Libraries.

Perhaps the New York Public Library felt a little distraction was in order.  At the November 20, 2013. NYPL trustees’s meeting Tony Marx finished up his president’s report to the trustees hinting at a headline grabber that would be unveiled at the end of the meeting concerning an “amazing note and celebration of another gift to the library.”  This turned out to be the NYPL’s acquisition of the `Tom Wolfe papers.’  When the time came for Mr. Marx to talk about this acquisition, he reported it under the rubric of enhanced “public accessibility” and described it as an “ongoing gift,” . . . “the gift that keeps on giving” because Mr. Wolf would, in moving his collection of papers to the library, also send everything that is subsequently “added to his collection.”

Why might Mr. Marx have been especially eager to showcase a gift to the NYPL from a celebrated author with great fanfare?  Because, months before in June, what had made the pages of New York Times respecting the NYPL was that Edmund Morris, another celebrated author had announced he "no longer intended to leave his research archive to the library as had been planned" because the library was no a longer fit repository for preserving works or making them available to the public.  Mr. Morris announced this as he was giving testimony before a state assembly hearing expressing his concern that the NYPL was proposing to gut the stacks of the 42nd Street Central Reference Library, part of the consolidating shrinkage of the “Central Library Plan” whereby two other major libraries, Mid-Manhattan and the Science, Industry Business Library (SIBL) are supposed to be sold off in real estate deals.  The New York Times quoted Mr. Morris as follows:
An exquisite repository is now going to be turned into a populist hangout, and have its former stack space stuffed with more and more and more and more miles of computer cable . . . That’s O.K. for scholars whose attention span extends back no farther than the early 1980s. But those of us cognizant of what happened to civilization after the great library in Alexandria burned down can only think with trepidation of what the Central Plan is going to do to the historical memory of New York.
(See: Critics Prompt New Review of Library Plan, by Robin Pogrebin, June 27, 2013.)

Mr. Morris’ full testimony can be watched here:



Pulitzer Author Edmund Morris Testifies Against Central Library Plan, Published on Jul 11, 2013 (on Citizens Defending Libraries YouTube Channel- I am a co-founder of Citizens Defending Libraries and a promoter of its petition opposing the sale of  New York City libraries.)

So, given a few months, the NYPL had, via Mr. Wolfe, come up with an attention-getting counter to Mr. Morris’ criticism and bad news.  The only problem was that the papers coming from Mr. Wolfe are not going to be a gift.  The library will be paying for them, a reasonably appreciable amount at that:
$2.15 Million.  See:  Right Stuff? The Library Thinks So, and Buys It- Library Acquires Tom Wolfe’s Papers for $2.15 Million, by Jennifer Schuessler, November 20, 2013.

To be fair, Mr. Wolfe’s papers are truly likely to be of interest to those who look a back a little way in time so Mr. Morris’ jab at “scholars whose attention span extends back no farther than the early 1980s” was not perfectly prescient if Mr. Morris had thought to be envisioning something like the Wolfe collection when he spoke.  Mr. Wolfe’s first novel, "Bonfire of the Vanities," may have been released only as recently as 1987 but Mr. Wolfe was receiving significant public recognition going back to the cusp when the late 1960s turned into the early 1970s.  Even so, Wolfe might still be viewed as sufficiently topical in nature and not yet so thoroughly tested by time as to make one wonder about Mr. Marx's self-congratulatory praise for the transaction quoted in the Times stressing history: “It will add significantly to the library’s holdings not just in American literature but in the history of New York City as well.”

Mr. Morris is best known for his biographies of two United States Presidents: Theodore Roosevelt, who as president from 1901 to 1909 has made it into certifiable history, and Ronald Reagan, who was president during the "Bonfire of the Vanities" era, 1981–1989.

Maybe time will prove the historical value of the Tom Wolfe collection, but couldn’t the collection have been given to the library rather than sold to the library for $2.15 million?  Oughtn’t it have been given rather than sold and for such a pretty penny at that?  That’s the argument at least one critic offered in an article at the website “The Awl”:
So first, to be polite: thank you for making this happen. And now. So many questions: Why not take the tax donation? Why send out our troubled libraries to secure seven figures for what should be a gracious gift? Also: Just, why?

The New York Public Library's wonderful Stephen A. Schwarzman building is mid-step in possibly great and possibly terrible changes, including moving materials to off-site storage. They have just announced that they are delaying release of their latest design plan. The actual future use of the main library as a research facility is literally at question right now. Tacky timing, Tommy.
(See:  Rich People- Old Pig Demands $2.15 Million From Our Library For His Dusty Papers, by Choire Sicha, November 21st, 2013.)

In making its argument, the Awl article described Mr. Wolfe as “83 and also quite wealthy.”  Authors are frequently far from well-to-do.  Therefore, before I castigated an author for taking money that was available and on the table I thought I’d check and see what I could find out about Mr. Wolfe’s resources.  I don’t know Mr. Wolfe’s current net worth or what kind of money Mr. Wolfe might have at any time squandered.  I did find. however, that in January 2008 Mr. Wolf was signing a book proposal contract for $7 million.  (See: Inside Tom Wolfe's $7 Million Book Proposal, 1/8/2008.)  Not only did `Bonfire’ sell well; its rights were bought and it was made into a big budget 1990 film (although that film bombed at the box office).

Offering her commentary for the New York Times about the acquisition of the Tom Wolfe papers, Ginia Bellafante observed: “charity here is more closely tied to self-promotion than to the anonymous doing of good works.”  Ms. Bellafante might have been talking about Mr. Wolfe's self-promotion with these words; his transaction to put his papers in the library was certainly raising his profile in the news. But Ms. Bellafante was actually talking about how acquisition of the Tom Wolfe papers will be made possible with a “generous donation from NYPL Trustee Katharine Rayner” according to the NYPL’s press release.  You see, although Mr. Wolfe was not giving his papers, there was an actual gift of funds being funneled by the NYPL into this purchase.  Ms. Bellfonte was talking about Ms. Rayner's self-promotion (using Tom Wolfe), not Mr. Wolfe's.

Ms. Bellfonte pointed out that:
while the figure is hardly exorbitant in the realm of cultural philanthropy, which vastly outpaces social-service philanthropy, it represents more than twice the amount of the biggest gift ever made by an individual to the Food Bank for New York City. The all too obvious irony is that it is just this sort of fracture in the city’s psychology that might find trenchant expression in a piece of writing by Tom Wolfe.
Mr. Marx, promoting the Tom Wolfe papers acquisition story in an interview with the Times when NYPL’s press release came out, similarly observed the Wolfe penchant for writing about the wealthy and class divides while staying away from impolitic specific mention of such hot-button terms:
Tom Wolfe has been a citizen and analyst and critic of New York society in the midst of some of its greatest controversies,” . . . His work touches on so much of the sociology of the city. . 
Yep, one of Mr. Wolfe’s Vanity Fair stories in 2009 was titled “The Rich Have Feelings Too,” synopsised in the Wall Street Journal (August 27, 2009, The Horror of Flying Commercial After Private Jets): The rich don’t like the experience of being cut down to size when they have to fly commercial airlines like everybody else.

Aside from countering the bad press of the Edmund Morris announcement, why was the NYPL, governed by its wealthy trustees, so very eager to acquire the Tom Wolfe collection that they leaped to spend $2.15 million on it at this time?  Does acquisition of the caricaturing work tame it?  Make it seem somehow friendlier, more manageable?  Put it in is place?  Relegate Mr. Wolfe to a court jester role?  Does it signify that Mr. Wolfe has been invited safely into the club?

According to the Times, the Wolfe collection, already 190 boxes of material, will take up “about 100 linear feet” of the ever more limited shelf space the NYPL is fast reducing with its plans to sell off libraries and destroy the Central Reference Library stacks.  See: Wednesday, November 27, 2013, Are NYPL Trustees Flying Blind on The Basics? Numbers To Inform Them About The Drastic Dwindling of Books In Manhattan’s Principal Libraries Are Missing From Their Minutes, and Thursday, November 21, 2013, Drastically Reducing Manhattan’s Main Library Space (At City Expense), The NYPL Was Only Just Recently Increasing Its Space (At City Expense).

The NYPL’s conception is that as it makes shelf space for books in Manhattan ever more limited and precious it doesn’t need to maintain shelf space for its books and collections in Manhattan; that instead, it is sufficient to send its books and collections off to Princeton in southern New Jersey. 

Will Mr. Wolfe’s collection be shipped off to New Jersey too?

Mr. Wolfe seems to think he has cut a different deal with the library.  According to the Times, Mr. Wolfe values his collection enough to have that collection occupy top-price Manhattan real estate.  It is:   “Currently in storage in Mr. Wolfe’s apartment building on the Upper East Side of Manhattan.”

As for the future, Mr. Wolfe seems to envision that his collection will continue to occupy that kind of real estate even though this is exactly the sort of real estate that the NYPL is very busy finagling to sell as it plans the shrinkage of libraries:
“I feel like I’m not parting with it,” Mr. Wolfe said. “After all, it will be just down the street.”
Will it really?

If Mr. Wolfe feels up to writing a serious saga about class distinction and class conflict in today’s world he could write brutally, acerbicly, and with all the profligate exclamation points and capital letters he wants about how libraries, our institutions of Democracy, the `great equalizers’ according to Rolling Stone Keith Richards, are now being sold off in real estate deals calculated to benefit a privileged few, not the public.  That saga, well written, is one that ought to stand the test of time.

Tuesday, January 22, 2013

October 1963, An Historical Snapshot: Ada Louise Huxtable, Jane Jacobs, Robert Moses, Cars, Density, Bulldozers, Preservation

One of Ada Louise Huxtable's first articles in the Fall of 1963 dealt with Jane Jacobs, car congestion in midtown Manhattan, density, the New Planning Commissioner and a whole lot more
Buckle your seat-belts for a bit of time travel.  I hope we might return from this trip more appreciative of aspects of where we stand in New York City today.  Our embarking point?: Obituaries provide a sense of history absent from the rest of the news dished up for us, especially when the person who has died lived a long and vital life.

I recently read the wonderfully written New York Times obituary for Ada Louise Huxtable (Ada Louise Huxtable, Champion of Livable Architecture, Dies at 91, by David W. Dunlap, January 7, 2013).  It took me back to the beginning of Ms. Huxtable's career, when she was hired by the Times as “the first full-time architecture critic at an American newspaper.”  One thing I found myself immediately wondering was how likely it was that her hiring in September 1963 might have been motivated, at least in some part, by the influence of urbanist Jane Jacobs’ 1961 book, “The Life and Death of Great American Cities.”  Though unmentioned in Dunlap's obituary for Huxtable, Jacobs’ book and activism, particularly in New York, were at that point in time raising the public’s consciousness of how building and development were shaping the city environment surrounding us.

What made me all the more curious about this possibility was that Mr. Dunlap wrote his obituary for Ms. Huxtable almost as if he intended to emphasize characteristics of Ms. Huxtable that were similar to Jacobs.  I wound up writing about this (plus a great deal more, including the social responsibility of artists and architecture) here: Tuesday, January 15, 2013, Andrea Fraser, Frank Gehry, Ada Louise Huxtable, Art, Artists, Urban Renewal, Mega-Monpoly And The “Barclays” Arena.

Doing research to explore the possible interrelationships vis–à–vis Huxtable and Jacobs at the time Huxtable was appointed, I found that Huxtable wrote mentioning Jacobs and her influence in one of her very first columns.  The Times announcement of its appointment of Huxatble ran September 9, 1963. The Times article in which Huxtable wrote about Jacobs appeared October 16, 1963.  It was Huxtable's welcoming interview with William F. R. Ballard, newly appointed as the new chairman of the City Planning Commission.  (See: Planner Defends Cars in Midtown.  . . .  The article shows up with several possible alternative Times titles, including this longest version: “Planner Defends Cars in Midtown; New Chief of Commission, Sworn by Mayor, Backs Municipal Garages Begin Duties Today” and “Planner Defends Cars in Midtown Theories Much Sought Caution on Bulldozers”.)

Hindsight Insight on Urban Renewal

The Ballard interview article provides a wonderfully instructive snapshot of what was going on at a key moment in time, especially as we can now look back at that moment in the context of what we know in hindsight.  In 1963 the city was still several years away from committing itself to a program of historic preservation, several years before establishing Brooklyn Heights as its first historic district (1967), quickly followed by Greenwich Village, and though the tide of public opinion was turning against Robert Moses and his urban renewal and massive road-building programs those programs were still being strongly urged upon the public.  Demolition and destruction were on the public's mind.  Demolition of the original  Beaux Arts Pennsyvania Station (announced July 1961) began in October 1963.  Hot topics under discussion, shades of today, were the desirability of automobiles in Manhattan and the subject of urban density.

Huxtable’s interview with Commissioner Ballard reads like her model for writing might be straight reporting, not the kind of criticism with which we now strongly associate Ms. Huxtable.  Its seemingly neutral bent actually comes across as being the opposite of critical.  Huxtable describes Ballard as “ruggedly handsome” with a demonstrated technical competence and  “optimistic, persuasive, energetic,” equipped with a vision for a “bigger, better, more comfortable New York” based on planning theories that Huxtable characterizes as “safely somewhere to the right of center, involving a new kind of civic-togetherness.”  She finishes off the article on this tritely upbeat note about Ballard’s view of the city:
He summed up his views with a statement few new Yorkers would contest: “This is the greatest City in the World.”
There is in the tone of her writing no whiff of the insight you hear from her in a 2008 interview with Leonard Lopate:
The chairman of almost every commission we have is always a political appointee.
In 2008 she was discussing whether appointees like Chairman Robert B. Tierney of the city Landmarks Preservation Commission should be expected to have professional expertise relevant to their appointments.  Huxtable’s answer was to say she puts her faith in the professional expertise of others such as the actual commission members.  Ballard had a certain amount of expertise relevant to the position to which he had been appointed: He was an architect who had been involved in shaping the zoning code. But in Huxtable’s interview Ballard clearly comes across as a politically conscious individual, apt to dutifully address the pros and cons of both sides of an issue.  I suspect that it is only in retrospect we realize how harsh some of his sentiments sound.

Addressing the subject of Jane Jacobs, Ballard provides counterpoint, arguing for urban renewal even while demonstrating his ability to give lip service to contrasting views.  Here is Ballard on the subject of the increasingly disfavored “bulldozer approach to urban renewal”:
When you destroy an old neighborhood completely, you are wiping out something that, sentimentally, I think should be preserved, if it can.  It may run counter to sensible planning, but that’s one of the things that makes the whole operation of planning fascinating.
More revealingly, Ballard criticizes Jacobs, who had just succeeded in preserving the West Village (1961) from bulldozer urban renewal, defeating efforts by Ballard’s predecessor:
She is unnecessarily negative in wanting to preserve everything exactly as it is. . . This is a lack of imagination.  But she is right about the loss of humanity in acres of identical housing.  The solution is not to freeze things.  You go ahead, enlivening, softening, and humanizing the new plans.  We’re learning as we go along.
Huxtable, who specifically mentions the title of Jacobs "The Death and Life of Great American Cities" book in the article, dubs Jacobs the bête noire of Ballard’s predecessor, James Felt.  Ballard was then the new planning face to the Mayor Robert F. Wagner administration, which might have suggested some softening compromise with Jacobs’ views, but here he still sounds apparently eager to get on with the large-scale, pulverizing churns of neighborhood demolition the real estate industry was backing.  One wonders how far we have come when Amanda Burden, the city’s current city planning commissioner, similarly speaks coyly of blending Jane Jacobs’ style values with a rehabilitated veneration for Moses-scale disruptions:
    . .  our plans therefore have been as ambitious as those of Robert Moses, but we really judge ourselves by Jane Jacobs standards.
(See: Saturday, November 5, 2011, Now Appearing In Gary Hustwit’s New Documentary “Urbanized”: Amanda Burden, New York’s High Line and Community Protest.)

In retrospect, fifty years later, (notwithstanding Amanda Burden's vision of kinder, gentler editions of Moses ambitions) most of us are probably absolutely clear about how incredibly valuable Jacobs’ preservation of the West Village was (as well as the preservation of the rest of Greenwich Village, SoHo and Brooklyn Heights, etc.).  We see, also, the insufficiency of Ballard’s vision of preserving only some things within an overall environment rather than the “rich tapestry of time and style” (Huxtable words in 2008), or saving just some “celebrated monuments” in lieu of retaining “the city’s historic fabric and neighborhood character” (Huxtable words in 1966).

A City For Automobiles?

Library of Congress image of Lower Manhattan Expressway via Wikipedia
In her 1961 book Jane Jacobs had taken on another fight, the primacy of the automobile, arguing for the restoration of space back to the pedestrian use.  In this respect, Jacobs’ battle to save the West Village was intrinsically connected to her fight to defeat Moses's plans for a ten-lane Lower Manhattan Expressway that would have destroyed Greenwich Village, SoHo, Little Italy and Chinatown. - That plan (cancelled in 1962) would have involved a huge ramped clover-leafing midtown access smack-dab in the middle of Greenwich Village.  It would have been just south of Washington Square Park.  Under the Moses plan, the extension of Fifth Avenue through Washington Square Park, fought over by Jacobs and Moses (1955-1956), would, although it was not revealed at that time, have led directly to the clover-leaf acess. (See Jan Gehl's essay "For You Jane" in "What We See: Advancing the Observations of Jane Jacobs.").

In her 2010 book, “The Battle for Gotham: New York in the Shadow of Robert Moses and Jane Jacobs,” Roberta Brandes Gratz, a longtime friend, colleague and disciple of Jane Jacobs, writes about how it was only after she wrote her 1961 book that Jacobs discovered and fully understood that the Moses long-term plans for automobiles in Manhattan (dating back to a 1929 regional plan) involved a network of highways lacing the borough up and down ( a “Los Angelizing” the borough, a“net catching Manhattan”) with a series of crosstown highway crossings connecting a surrounding oval of major roadways.

In a conversation with Roberta Brandes Gratz years afterward, Jacobs explained how the proposed Westway along the Hudson (ultimately defeated) should be considered part of the materialization of this overall scheme.  The multiple highways going across Manhattan under the plan?: The Lower Manhattan Expressway downtown crossing, a crossing at Thirtieth Street (the Mid-Manhattan Expressway), roadway extending “from Forty-second Street north and from Battery south around and up the East Side” and a Cross Harlem Expressway at ground level at 125th street was also proposed, while the Trans-Manhattan Expressway at the very narrow northern tip of Manhattan up at 178th Street was actually built.

1964 Regional Plan Association map of expressways proposed to traverse Manhattan
In close up
In Huxtable's 1963 interview Ballard has some interesting quotes about his view of automobiles.

Even though Commissioner Ballard made it clear when he left office that he still advocated highways in Manhattan, it may be less than fair play to furnish the preceding information prior to supplying you with his 1963 remarks since: 1.) Ballard's most immediate focus when speaking was on parking garages, and 2.) as Jacobs made the point to Ms. Brandes Gratz, Moses always kept the full scale of his plans under wraps;  “only pieces of it” kept “surfacing.”  Commented Jacobs, Moses made his proposals piecemeal because, “Nobody would ever consent to the insanity of doing the whole thing.”

This is what Commissioner Ballard said of the automobile in mid-town Manhattan in that inaugural interview with Huxtable:
The better and fuller life includes the free use of the automobile. . .  Planners who try to discourage its use make me sick.
His standard for whether too many cars are being added?: Whether the traffic still moves.  He says:
I believe in direct transportation.  The apartment house garages required by our new zoning haven’t affected the streets.  Our traffic still moves.
Addressing Density

Our traffic still moves?  Ballard's criteria for evaluating acceptable density sounds remarkably similar: Whether people are trampling each other.  At the time of the interview the giant new Pan Am Building, (now the MetLife Building) was a public concern (a ‘running argument’ says Huxtable). Only months later, April 14, 1963, Huxtable wrote her official Times review negatively critiquing the completed building.  Part of her critique was of the building’s density: Architecture Stumbles on; Recent Buildings Are Nothing Much to Brag About Other Newcomers "Sixth" Avenue Coming Up (Retitled: Pan AM: “The Big, the Expedient, and the Deathlessly Ordinary” in her book of collected essays “On Architecture: Collected Reflections on a Century of Change.”)  But as we will return to in a moment, even before the building’s completion, even before starting as the Times official architectural critic, Huxtable had already participated in the “running argument,” speaking out against the social irresponsibility of the building’s size.

In the interview, Ballard (with little hint of personal contradiction by Huxtable as she is quoting him) defended the density the enormous building would bring to its key location:
I think it’s great.  I can’t think of a better place to have a big building. . .  It’s at the focus of all midtown commutation and transportation; the best place for it.  I don’t think concentration is such an evil. . . It’s the essence of cities; it can be a good thing.  Architects don’t pale at the handling of the problem.  I don’t see the disasters that the weepers and wailers predicted.  A park there would have been an absurd idea.  Rush hour? Nobody’s been trampled yet.
As noted, in April Huxtable weighed in officially when the building was completed, confirming her view as the New York Times critic that the building put too much density on the site:
Of  these new buildings, Pan Am has by far the greatest impact on the city scene. Criticism which has been plentiful since the building’s inception, is directed largely at is physical and sociological implications: the effect of seventeen thousand new tenants and 250,00 daily transients on the already crowded Grand Central area and its services and the unresolved conflicts and responsibilities of the city and private enterprise in control of urban densities and master planning.
She simultaneously assaulted the building's aesthetics: “a colossal collection of minimums. . . minimum good materials of minimum acceptable quality executed with a minimum of imagination. . .” penultimately ending up:
This is a prime example of a New York specialty: the big, the expedient, and the deathlessly ordinary.*
(* Although Ms. Huxtable has said she didn’t change or update her essays for publication of her book, the very last quote above I only find in the version of her essay appearing in  “On Architecture: Collected Reflections on a Century of Change”.)

Previously, before being appointed official Times critic but writing in the Times and perhaps auditioning for that role, she wrote critically of the building while it was still under construction, “it continues to cause consternation among those who believe that such an oversized structure will overtax our already burdened midtown facilities” and she asserted it was a “depressing sight” in contrast to the exceptionally pleasant sight the public had been presented with when the old Grand Central building had been demolished to make way for it: Our New Buildings: Hits and Misses; A survey of the construction that has given New York a new face shows too few departures from the characterless and the imitative, April 29, 1962.

Huxtable's criticism published in the Times at that time was mild compared to what Huxtable wrote in 1961  “In Four Walking Tours of Modern Architecture in New York City” which she put together for the Municipal Art Society (ultimately partly quoted in the Times as part of her Times obituary and quoted more fully in The Pan Am Building and the Shattering of the Modernist Dream):
The erection of such an overwhelming structure— the largest single office building in New York— will radically alter the scale of the buildings along Park Avenue.  It will also add an extraordinary burden to existing pedestrian and transportation facilities, and in these aspects its antisocial character directly contradicts the teachings of Walter Gropius, who has collaborated in its design.
Writing a memoriam piece upon the death of Walter Gropius, Huxtable, a hard taskmaster at least when it came to this building, reiterated her social responsibility criticism:
The final irony was the betrayal of his own teaching of social and urban responsibility in one of his last jobs where he acted as consultant with Peitro Belluschi, for the "smoothing up" of the urban outrages of New York's notorious Pan Am Building.  This still saddens his admirers. 
(See: He Was Not Irrelevant, July 20, 1969.)

The building's aesthetics aside, it can be easily argued that Ballard was more correct in his defense of the building’s density than Ms. Huxtable was in her criticism that the density consigned the building to socially irresponsibility.  The Pan Am now MetLife building has now been up for fifty years and it remains true that no one has yet been “trampled.”   (Although flights to the helicopter pad atop the buildings were discontinued after an accident in which five people were killed.)  Ballard's observation that the building is over a transit hub and making it efficient is correct.

There are caveats, however, before jumping to conclusions about who was right or how right they were. Huxtable was talking in part not just about a single building, but the alternation of the scale of Park Avenue (which the Pan Am building surely did).  When she said “it” would add an “extraordinary burden” to services and facilities in the area one must also think in terms of the burden that all the bigger buildings add to the area when additional development ensues to match that alteration of scale.  Irrespective of whether Ms. Huxtable was entirely correct that the particular building’s density was unsupportable or burdensome it made sense that she was wary of the density then.   And now?  . .   Recently the Bloomberg administration has unveiled plans to almost double-- starting in 2017-- the density of Manhattan’s already very dense Midtown business district, that entire district surrounding Grand Central and the Pan Am building, from 39th Street to 57th Street on the East Side.

Should we not now wonder if the criteria for Bloomberg officials as to what constitutes the acceptable upper limit for density is literally the standard Commissioner Ballard imagined: That you keep building until people get “trampled.”

Ballard might have been surprised to learn that Jane Jacobs, whom he criticized as too negative when speaking to Ms. Huxtable, considered herself a fan of density.  But Jacobs believed in adding density gradually, not in an overwhelming rush.  If the density of the Pan Am building works reasonably well now, fifty years after the fact, another appropriate test to apply was how well its addition to the neighborhood worked right after it was built, something that we must think back through our foggy memories to assess.

Was Huxtable still finding her footing when she interviewed Ballard?  What should be clear from all of the above is that despite her flattering descriptions of Ballard’s good looks, competence, and altruistic goals she couldn’t have disagreed with him more about the social responsibility of the Pan Am building.  It makes you wonder what else she was reporting of his words she personally disagreed with while not cluing in her audience . . .  although, without speaking specifically for herself, she does inform her readers that Ballard disagreed “with many professional planners not only on automobiles, also on . .  the giant Pan Am Building.”

Huxtable does not often address the issue of density.  “Density,” for instance, is not listed in the index of her collected essays despite that being one of her key criticisms of the Pan Am building.  In other essays in that collection she commented with dismay on how the city strained to keep the Ground Zero site at the same density rather than reduce Silverstein’s financial stake in the site, albeit in one of these mentions she refers to how density can be considered “the soul of the city.”   Her expression of dissatisfaction with another huge multi-acre scheme, Hudson Yards, indicates an impatience with the reflex of maximizing density: “we will get a lot of very, very big buildings that will make someone very, very rich,” she says of the Hudson Yards site proper, controlled by the Related Companies, and then notes that, similarly, the surrounding acres “have already been rezoned in part for the biggest buildings possible.”

The subject of the value of density, qua density, came up in a 2008 interview Phillip Lopate (Leonard's brother) did with Ms. Huxtable that appeared in the Times wherein Huxtable averred that she (like Jacobs) was basically a fan of density:
Lopate: I take it you’re for density but not for overbuilding.

Huxtable: How can I be against density? I’m a New Yorker! I grew up with density.
Interestingly the exchange came out of Huxtable’s commenting negatively about urban renewal (taking us back to the bulldozers we spoke of at the beginning), that:
 . . . urban renewal tried to get rid of density. It was viewed as concentrating poverty and disease. Now there’s the awareness that density is more energy-efficient and less destructive of the environment than urban sprawl.
This is something that many people may not know about old-style urban renewal: It often didn’t increase density.  It often replaced more with less, which might help emphasize the point for those of us looking back, how urban renewal was often most importantly about getting rid of things and often who was being gotten rid of.  (James Baldwin referred to urban renewal as “Negro removal.”*)  Moses’s rebuilding of New York resulted in a slowing of the city’s rate of growth and then its first huge population decline staring in the 60's.  It was partly due to the way the shift to the automobile (discussed above) exported population, but Moses’s urban renewal had to be a contributing factor.  A very important part of this exodus was the city’s middle class.
(* I found Bruce Norris's Pulitzer Prize-winning 2010 play, “Clybourne Park,” disappointingly shallow in terms of the “dissection of race, gentrification and real estate” that it was supposedly about.  Tantalizing though, it briefly raised, without pursuing, the conspiracy theories that virtually all governmentally assisted urban revitalization reflects master planning to further disadvantage racial minorities.  Remember: To dub something a conspiracy theory doesn’t mean that it lacks truth.)
These days we tend to associate the demolition of our existing city fabric with density because so often the death sentence for existing parts of the city comes with sudden changes in zoning (like in Williamsburg, Brooklyn) that include increases in density to induce the turnover of a neighborhood.  Nevertheless, when people are being dispossessed by such zoning changes or by current-day substitutes for old-fashioned bulldozer urban renewal like Atlantic Yards, it is safe to bet, just like the old days, that the people being evicted are mostly on the other side of a social divide from those conceptualizing and deciding upon the implementation of such plans.

Intersection of Traffic and Density In Current-Day Modern New York

New York City is currently reclaiming its streets for pedestrians under Department of Transportation Commissioner Janette Sadik-Khan.  An essay Commissioner Sadik-Khan contributed to “What We See: Advancing the Observations of Jane Jacobs,” a collection of pieces that pays tribute to Jane Jacobs by working to build on her ideas, begins (p. 242) with an expression of how Sadik-Khan sees her work as a continuation of the “epic battle between Robert Moses and Jane Jacobs over the streets of New York.”  Sadik-Khan’s essay is titled: “Think of a City and What Comes to Mind? Its Streets.”

“Our traffic still moves,” was apparently Ballard’s test whereby one would judge whether too much priority had been extended to urban automobiles.  Commissioner Sadik-Khan hews to Jane Jacobs perception that, many might find counter-intuitive, but which is bearing out, that if the conveniences and roadway space for automobiles are removed (“attrited” as in attrition), the traffic “still moves,” with congestion simply evaporating.  That, is in contradistinction to a city like São Paulo, Brazil which, with a street transportation plan that Ms.Sadik-Khan observes was put together by Robert Moses himself, is enduring the concomitant ultimate ramifications of such a plan: It has bumper-to-bumper gridlock and the business elite resorts to getting around by helicopter (here we are back to the kind of midtown helicopter pads discontinued at the Pan Building!).

Serving the demands of cars results in traffic congestion, but when that demand is not served, demand evaporates.  There is a reverse corollary to this: Commissioner Sadik-Khan speaks of “latent demand” for pedestrian space and plazas.  The more such space is supplied, the more pedestrians materialize to fill it.

It’s interesting how this interrelates with density and how exactly that is working out in Time Square, which with upzoning and redevelopment has become an exceptionally dense pedestrian environment.

The closing down of large portions of Broadway to vehicular traffic was, according to the Bloomberg administration, to deal with escalating levels of congestion and because people were “getting pushed out into the streets” and the sidewalks couldn’t handle it.

The Bloomberg administration is now reinforcing that increased dedication of space to pedestrians,  protecting pedestrians from traffic (and possible `terrorists’) by adding bollards and concrete barriers, see: Times Square ‘Bow Tie’ Is to Get Belts of Steel and Granite, by David W. Dunlap, January 13, 2013.

Before the pedestrian areas were expanded in the Broadway Times Square area I used to walk around carsin the streets  to get around the congestion.  The pedestrian areas have now been expanded but the on-foot congestion has grown to fill in those expanded areas so that now, if I am in a hurry and need to move fast, I eschew the experience of the flashing lights and animated screens on Broadway and walk up to 46th Street by the not-very-aesthetically-satisfying, less crowded, mid-block concourses just to the west.

This is what the congestion is like around Time Square’s 42nd Street and the Bloomberg administration wants to almost double the density of the very nearby Grand Central business district?

Historic Preservation

Although Ballard’s expression of what the goals of historic preservation should be are somewhat enigmatic, his words contain a clear recognition that the first historic preservation laws, not yet in force when he was being interviewed by Huxtable, were about to be enacted in the city with strong public support.  As noted, the appalling destruction of Pennsylvania Station was on people’s minds.  Here, from Huxtable's interview, is Ballard again:
On Historic preservation, he said: “Like food and water, I’m all for it.  I’m for landmark’s legislation.  I believe in preserving worthwhile monuments, it’s tricky to decide what’s worthwhile and what’s simply old.  How much is sentimentality and how much is good common sense?  People are more important that old buildings.”
One reason the fight for historic preservation was gaining traction, soon to take hold as official city policy (in legislation) ahead of the then ongoing fights against urban renewal, was that the Times was very actively supporting the first of those two fights.  Writes preservationist and historian Anthony Woods in “Preserving New York: Winning the Right to Protect a City's Landmarks”:
The New York Times would radically increase New York’s preservation consciousness by running well over twenty pro-preservation editorials between December 1961 and the passage of the Landmarks law in the spring of 1965.  This would be in addition to its impressive news coverage of the ceaseless stream of preservation stories marking that turbulent time.

In this period, preservation was blessed to have at the New York Times not only an editor of the editorial page who appreciated the importance of preservation, but a brilliant writer who also embraced its values.  That editor was John Oakes, and the writer was Ada Louise Huxtable.

    * * *

Even before Ada Louise Huxtable made history in 1963 as the first full-time New York Times architecture critic, focusing “public opinion on the city’s built environment as never before,” she was writing in its defense .  As early as 1961, John Oakes had enlisted her to write editorials for the paper.  In this capacity she authored, without attribution, a series of forceful editorials that would keep the cause of preservation front and center until and well beyond the passage of the Landmarks law.
Huxtable, trained as an architectural historian, presented her advocacy for historic preservation as grounded in practically.  In 2008 she said this in a Leonard Lopate Show interview:
This is such a complex subject. You can’t just say save your building when there is no way to save it, when there is no money, when there is no way to keep it and preservationists tend to be very tunnel vision about that. Particularly in new York preservation is a . . it’s a very complicated thing that requires a lot of tradeoffs and a lot of willingness to look at all sides of a problem. We don’t have that now. We have a preservationist movement that really alarms me a little bit because they don’t want to deal with reality. They just want to forge ahead and save buildings and it is not that simple.
But she argued that economic principles tended to favor taking the route of historic preservation  In a May 1999 article for the Wall Street Journal titled “Manhattan’s Landmark Buildings Today” (which is in her book of collected essays) she says at the outset that “Old buildings must earn their way” and then makes the case that they generally do, concluding:
Old Buildings survive because it rarely make sense in bad times to demolish, while in good times there is every incentive to invest.  The city renews and enriches itself when it reuses its landmarks in an economically sound way.  In New York, the art of architecture is inseparable from the art of the deal.
Unlike Huxtable, Jane Jacobs was not, per se, an advocate of historical preservation for its own sake.  Jacobs recognized the value of neighborhood landmarks but did not feel that being historical was a prerequisite to buildings being landmarks.  She was in favor of preserving old buildings but not because they had historical value but because a mix of old and new buildings benefitted neighborhoods in part because the economics of older, less expensive buildings were less costly than those of new buildings.  Jacobs was a preservationist, believing in the preservation of neighborhoods, but what she believed in was the preservation of the fabric of neighborhoods, their dynamics and their social interrelationships.  Seeing neighborhoods as functioning ecosystems replete with valuable street life she was not about preserving neighborhoods frozen in time because she saw them as continually evolving systems.

While there is inevitable overlap to the arguments for preserving beautiful historic old buildings and preserving neighborhoods that include a mix of just plain old buildings, one critical convergence is that both Huxtable and Jacobs would tell you that there is economic benefit to doing what each of them they advocates.  But while Huxtable observes common sensibly that old buildings often survive in economic bad times because it rarely make sense to demolish them then, under the urban renewal that Jacobs fought demolition of old buildings (and their neighborhoods) was precisely what was done when the economy was bad.  It was done on a large scale . .  And  and the buildings demolished were sometimes not replaced for decades.  No wonder that when Commissioner Ballard left office toward the end of the Moses era he was theorizing why all the jobs in a city with a declining population were disappearing.

Is there value to preserving history for history’s sake?: We ought to note that this article that concentrates on looking back to the past is, of course, all about the value of persisting artifacts to spur our memory, together with a sense and appreciation of history.

More About William F. R. Ballard

According to William F. R. Ballard's own Times obituary (appearing September 29, 1993- he died at 88), he was city planning commissioner from 1963 (October 16) to 1966 (November 24).  He was replaced by Donald H. Elliot.

Notwithstanding the negativity Ballard expressed to Huxtable about Jacobs in that first interview, the Times obituary puts Ballard’s fights with Moses, not with Jacobs, front and center in the highlights of his career:
What followed were nearly four years (sic) of political and governmental clashes of competing developmental interests. The stormiest ones involved a continuing conflict between Mr. Ballard and Robert Moses, with Mr. Ballard opposing many of Mr. Moses's most ambitious projects, such as a bridge spanning Long Island. Sound.
There is also this:
A year later, he said a proposal to build public housing in Central Park was "patently absurd."  
Robert Caro’s “The Power Broker: Robert Moses and the Fall of New York”* (1974) has one anecdote concerning Ballard to the effect that under Mayor Wagner the battles he had with Moses were lost:
There were many times when the Mayor announced to friends that he was going to refuse a Moses demand, but the pattern following the announcement was always the same.  William F. R. Ballard, a chairman of the City Planning Commission, recalls vividly Wagner “agreeing to back me— told me he would— and then ended up backing Moses.”  And some version of Ballard’s words are repeated by dozens of officials caught in tugs of war between the two men.
(* Caro’s epic “Power Broker,” a tool often turned to by many to remember and understand much of New York's history, makes no mention of either Jane Jacobs or Ada Louise Huxtable although Jacobs’ seminal 1961 book is mentioned in his bibliography and Caro actually wrote a whole chapter about Jacobs that he ultimately did not include because of the book’s length, one third of which had to be cut.)

Public opinion was mounting against Moses and his development practices and Moses's power was about to end at the hands of the next mayor, John Lindsay, acting in concert with Governor Nelson Rockefeller.

While we remember that Moses was ultimately deposed from power in this era, in 1963 when Ballard took office, demolitions for urban renewal were still lumbering forward sometimes for projects that seemed to continue with life of their own, into the late 70's, well after Moses himself had been officially ousted from power (the key date being his departure from the Triborough Authority in 1968) and even after New York’s sobering fiscal crisis hit in 1975.  For instance, the Schermerhorn-Pacific urban renewal plan, representing a significant prime chuck or Brooklyn real estate, didn’t get underway until 1973.

Unfortunately, the ideas of Robert Moses persisted tenaciously.  While we think of Jane Jacobs’ ideas as ultimately triumphing and being a cause of Moses’s 1968 departure from Triborough, 1968 was the same year Jane Jacobs left New York for Toronto, Canada to ensure that her sons would not have to fight in the Vietnam War,* and even in 1968 with Moses departed, the neighborhood-eviscerating Lower Manhattan Expressway was not entirely dead, the Regional Plan Association urging that it be built even in August of 1969.  Under the Bloomberg administration many of Moses’s ideas were fashionable again (though not the expressways) and there was a concurrent effort to rehabilitate the image of Robert Moses an effort to rehabilitate the image of Robert Moses that included the launching of three separate museum exhibits.
(* Jacobs, in Canada, continued to write books, participate in activism and extend her influence as a thinker and respected theorist.)
Upon his departure in 1966, Mr. Ballard, unhappy that he was requested to leave his office (John Lindsay was now mayor), identified for the Times some “planning questions that remain unresolved.”  Notably these included as his first and last mentioned points:
    •    The “grinding problem” of building desperately needed highways, such as road across lower Manhattan, without displacing hundreds of people.

    •    A more effective distribution of wealth was needed as more and more jobs were eliminated by technology.
The first point makes you wonder how hard Ballard was actually fighting Moses on some of the the things Moses wanted.  The reference to the loss of jobs likely says something about the deleterious effects Moses’s policies were having.

Not everything was seriously grim during Ballard’s tenure in office: His staff gave him a Planning-by-darts game which he played with the new mayor, Lindsay, perhaps hoping to get into his good graces.  One of the game's multiplicity of fictional booby prizes was getting to walk up “six flights of stairs for tea with Jane Jacobs.”

Ballard’s Vision Of Unleashing Energy vs. Jane Jacobs' Vision


Just be before the very ending of the Ballard interview article (where Ballard makes his “greatest City in the World” remark) he offers a thought that juxtaposes weirdly with the thinking of Jane Jacobs:
I would like to promote the interest of the whole community and its future. . [pause for emphasis]  Have you ever thought of the brains and imagination stored up in New York, and what it would mean to get it working in the future?  I think there’s a way to tap it.  I want to bring these people into the planning picture.
The thing about Jane Jacobs is that despite the unnecessary negativity and “lack of imagination” that Ballard attributed to Jacobs, Jacobs had indeed thought a lot about “the brains and imagination stored up in New York” and what it means for it to be activated. Truth to tell, she believed in it more positively than Ballard and had probably thought about it a lot more. All of her work was based on her perceptions and faith that one didn’t need the pseudoscience of “planning” to mobilize that energy, that people were already very much in the picture making cities happen, that the government `city planning' interventions whereby the working fabric of neighborhoods were ripped up and destroyed were antithetical to making use of this energy and represented an expulsion of the people from that same process in which Ballard said he theoretically wanted to involve them.

More About the Hiring of Huxtable

Here is more about the hiring of Huxtable.  The day after the David Dunlap-authored obituary of Ms. Huxtable appeared, Michael Kimmelman, the current architectural critic for the Times, offered an appraisal looking back (See: An Appraisal- A Critic of the Curb and Corner, by Michael Kimmelman, January 8, 2013.)

Mr. Kimmelman does mention Jane Jacobs to put Huxtable’s engagement by the Times in context:
She emerged during the era of Lewis Mumford and Jane Jacobs, with whom she belongs in the pantheon, but as the first full-time critic writing on architecture for an American newspaper, she also had that rare journalistic opportunity to pioneer something of her own, to fill a yawning gap in the public discourse, to carve a path with moral dimensions, “to celebrate the pleasures of this remarkable art,” as she put it.
In my last Noticing New York article went back, to look in depth at a 1958 piece Huxtable did for the Times Magazine to observe that Huxtable, writing there, virtually made her own case for creation of the job the Times eventually hired her to fill by arguing that the “press which regularly reviews art, literature, movies, music and dance, ignores architecture, except for building news on the real estate page” and that “architecture as a standard feature is virtually unknown.”

Mr. Kimmelman went back one year further to note:
Ms. Huxtable’s first publication in The Times seems to be a letter to the editor in 1957, complaining about an art review of photographs of architecture in Caracas, Venezuela, that ignored the deleterious effects of those photogenic but authoritarian buildings on the fabric of the city and its people.
Kimmelman had already declared at the beginning of the article that, “She cared about public standards, social equity, the whole city.”  Even if Huxtable was ghost-writing Times editorials starting in 1961 as  Anthony Woods tells us, these would still seem to be Huxtable's earliest writings for the Times.

In a 2008 interview Phillip Lopate conducted with Ms. Huxtable that appeared in the Times Ms. Huxtable provided the following account of her 1963 hiring.  It elides revelation that she had already been ghost-writing the Times historic preservation editorials:
Aline Saarinen had been The New York Times’s chief art critic, but when she married Eero Saarinen, she thought she should not write about architecture anymore. The Times’s editors were upset; they said they needed to get someone else, and so she recommended me. I went in all dressed up with my clippings, and I remember saying: “All you’ve been doing is printing the developers’ P.R. releases in your real estate section. You have nobody covering this very important field.” So they created the post for me of architecture critic.
(See: Her New York, November 7, 2008.)

That's the end of this tour through history.

In the end, even if some hard-learned lessons are already in danger of fading from our memories, nothing we have covered here is a very far remove from the present day.  Ms. Huxtable, who assumed the role of architectural critic for the Times in 1963, wrote her last column for the Wall Street Journal just last month.  1963 was time of great jeopardy for the city with much hanging in the balance as to whose ideas would prevail.  If we forget, if we again find ourselves distracted and reading just the P.R. releases in the real estate sections, we will probably have to learn many of these lessons all over again.

So I suggest we be on the hunt for good obituaries worth scrutinizing that will allow us to maintain our consciousness of our past.